Davido

Davido Triumphs With Bold Fifth Studio Album ‘5ive’

The Afrobeats luminary returns with a bold new chapter in the form of his fifth studio effort, 5ive, released Friday (April 18) via Davido Music Worldwide, RCA Records, and Sony Music UK.

The 17-track collection highlights the Nigerian superstar’s evolving creativity, blending the rhythms of West Africa with diverse international influences. Among the early releases paving the way were “Awuke” featuring YG Marley, “Funds” alongside Odumodublvck and Chike, and the reflective “Be There Still.” Together, they hinted at the emotional range and sonic richness that define the full project.

Beyond those previews, 5ive boasts heavyweight collaborations, emphasizing the singer’s mission to bridge cultures through sound. Victoria Monét brings her soulful touch to “Offa Me,” while Shenseea and 450 spice things up on “R&B.” South African talents Musa Keys and Victony lend depth to the atmospheric “Holy Water.”

Chris Brown reunites with the Nigerian hitmaker on “Titanium,” continuing a fruitful musical partnership. Becky G energizes the lively “Tek,” and French-African stars Tayc and Dadju grace “Lover Boy.” Omah Lay adds his signature smoothness on the breezy track “With You.”

Speaking about the project, the internationally acclaimed performer shared:

“This 5ive album? Man, it means everything to me. It’s more than just a number — it’s a statement of where I stand, five albums in. Getting to work with artists that I love and respect from all over the world on this project was a blessing. Different sounds, different cultures, but one vibe! This one right here shows my growth, my journey, and where I am now in my life and my artistry.”

The meaning behind 5ive is unmistakable: it’s a declaration of how far he’s come — and a reminder that his voice remains a vital force on the world stage.


Following Up ‘Timeless’

5ive lands two years after Timeless, the breakout collection that solidified his place among Africa’s most influential talents.

That project debuted at No. 2 on Billboard’s World Albums chart and climbed to No. 37 on the Billboard 200 — one of the best openings ever for an African artist. It also earned a Grammy nomination for Best Global Music Album, reflecting his expanding international reach.

A standout from Timeless, “Unavailable” with Musa Keys, became a runaway success, peaking at No. 3 on the U.S. Afrobeats Songs chart and grabbing a Grammy nod for Best African Music Performance. Its infectious grooves and cross-cultural energy marked a high point both for his career and for the genre’s worldwide rise.


Dominating the Charts

Momentum stayed strong into 2024, thanks to a feature on Chris Brown’s “Sensational,” also featuring Lojay.

The track earned both Nigerian singers their first-ever entries on the Billboard Hot 100, debuting at No. 96 and eventually peaking at No. 71 — a significant moment in their musical journeys.

These achievements aren’t isolated victories. They showcase a rare versatility, allowing the Afro-fusion star to thrive across different sounds, markets, and audiences — a skill that 5ive continues to spotlight through its eclectic collaborations.


Davido‘s Global Reach

What sets 5ive apart is its sweeping perspective without losing its African soul.

Across collaborations with artists from Jamaica, the U.S., France, South Africa, and Nigeria, the foundation remains unmistakably tied to his roots.

Whether exchanging melodies with Chris Brown, vibing with Victoria Monét, or crafting harmonies with Omah Lay, his distinct identity cuts through.

This balance — authenticity combined with creative exploration — has enabled him to push beyond borders. With 5ive, the boundary between African music and the rest of the world grows thinner, ushering in a new era.


Marking a New Era

5ive isn’t just another record — it’s a landmark. It marks the transformation of a local star into a cultural ambassador for Africa’s new sound.

The project mirrors his path: the hurdles, the wins, the evolution — and it hints at even bigger things to come.

For loyal supporters and newcomers alike, 5ive offers a dynamic listening experience, filled with innovation, collaborations, and an undying passion for creating something timeless.

As the Nigerian icon solidifies his position with 5ive, one thing is clear: the next chapter will be even bigger — and the world is ready.

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lil wayne

Lil Wayne Admits Super Bowl Dream is Gone After Being Overlooked for Kendrick Lamar

Lil Wayne has officially closed the chapter on ever performing at the Super Bowl.

Despite years of dreaming about the opportunity, the rap legend says he no longer has any desire to take the Halftime Show stage, citing deep disappointment with how the NFL handled this year’s event.

Lil Wayne’s Disappointment Over Kendrick Lamar’s Super Bowl Halftime Show

In a candid new interview, Wayne made it clear that the NFL’s decision to select Kendrick Lamar as the headliner for the Super Bowl Halftime Show shattered his dream.

In his own words, the NFL “stole” the moment from him.

For Wayne, it wasn’t just about another high-profile gig; it was about representing his hometown on the biggest stage possible. When he learned that Kendrick, not him, would be leading the show, he didn’t hide his feelings — the disappointment was personal and profound.

A Personal Dream for Lil Wayne

The Super Bowl held extra weight for Wayne because this year’s game took place in New Orleans, the city that raised him and shaped his identity.

Being a lifelong sports fan and a local hero, Wayne had envisioned himself representing the city he loves so much.

When Kendrick Lamar was announced as the headliner last fall, Wayne understood that his moment had been taken.

This wasn’t just a missed opportunity — it felt like a betrayal.

Wayne had spoken openly about how much performing at a New Orleans-hosted Super Bowl would mean to him.

Instead of celebrating a career-defining moment, he found himself sidelined from an event that was deeply personal.

Moment Gone for Good: Lil Wayne’s Reflection

In a cover story with Rolling Stone published on Thursday, April 17, Wayne admitted that the window has closed permanently.

“The moment is gone for good,” Wayne said.

“Every time I looked, there was nothing that made me want to go inside and see what was going on,” he added. “They stole that feeling. I do not want to do it. It was perfect.”

For Wayne, it’s not about resentment — it’s about accepting that a dream he had cherished can no longer be realized the way he once imagined.

NFL Encourages Lil Wayne to Be More Visible

In the interview, Wayne peeled back the curtain on the behind-the-scenes process that unfolded before the NFL’s decision.

He revealed that the league encouraged him to be more public and involved in high-profile events in the months leading up to the announcement.

“To perform, there are many things they tell you to do and not do, asses to kiss and not kiss,” Wayne explained.

In an effort to boost his visibility, Wayne attended events and mingled with celebrities in ways that were totally out of character for him.

He showed up at Michael Rubin’s famous all-white parties, appeared at gatherings with NFL legend Tom Brady, and participated in the type of highly publicized social scenes he typically avoided.

“All of that was for the NFL,” Wayne said. “You had never seen me in those settings before. I am not Drake. I am not out here smiling everywhere. I am in the studio, smoking and recording.”

Wayne’s efforts to position himself as a serious contender for the Halftime Show went largely unnoticed by those making the final call.

NFL Gives Lil Wayne Vague Explanation for Snubbing Him

Despite playing the game and stepping outside of his comfort zone, Wayne said the NFL ultimately offered no real justification for passing him over.

“They just told me, ‘We are not in charge of the Super Bowl halftime show,’” he recalled.

Wayne described the experience as being “curved,” meaning dismissed without a real explanation.

Faced with that, he realized there was no point in pursuing the dream any longer.

Rather than harbor bitterness, Wayne seems to have decided to simply move on.

Lil Wayne’s Continued Presence and Upcoming Album

Even though he didn’t perform at the Halftime Show or attend the Super Bowl itself, Lil Wayne’s presence was still felt during the broadcast.

He appeared in a Cetaphil commercial aired during the game, which cleverly teased the release date for his highly anticipated upcoming album, Tha Carter VI.

In the Rolling Stone cover story, Wayne also shared exciting details about the project.

Tha Carter VI will feature an impressive roster of collaborators, including Miley Cyrus, Bono, Andrea Bocelli, Machine Gun Kelly, Elephant Man, and Wayne’s 15-year-old son Kameron.

Production-wise, the album taps the talents of Wyclef Jean, Wheezy, and possibly even Kanye West.

Wayne seems focused on moving forward, pouring his energy into the next chapter of his career rather than looking back at missed opportunities.

Although his Super Bowl dream didn’t materialize, Tha Carter VI promises to remind the world exactly why Lil Wayne remains one of hip-hop’s most influential and enduring artists.

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The state of Georgia has filed a motion to revoke Young Thug's probation, alleging that he accused the Atlanta Police Department of shooting Young Scooter and made remarks targeting Marissa Viverito.

Young Thug Probation in Jeopardy After Alleged Threats Against Police and Prosecutor

The state of Georgia has filed a motion to revoke Young Thug’s probation, citing serious allegations of witness intimidation and social media threats. The Fulton County District Attorney’s Office submitted the motion on Wednesday, April 3, arguing that Jeffery Williams, known professionally as Young Thug, has violated the terms of his probation by engaging in behavior that poses a “clear and present danger” to public safety and undermines the justice system. This situation reflects a broader issue concerning the influence of celebrities in the justice system, raising questions about how their actions can impact legal proceedings and the safety of individuals involved.

Young Thug has remained a controversial figure in Atlanta’s legal landscape, especially following his high-profile Georgia RICO case in 2024. Prosecutors accused the rapper and alleged members of the YSL gang of a series of violent crimes, including murder, drug trafficking, and carjackings, under the Racketeer Influenced and Corrupt Organizations (RICO) Act. After a lengthy and closely watched trial, Jeffery Williams pleaded guilty to multiple charges and was sentenced to 40 years, with 5 years served in prison and 15 years of probation. The remaining 20 years of his sentence were scheduled to be commuted upon successful completion of probation. This case not only highlights the serious nature of the allegations but also underscores the complexity of navigating the intersection between fame and criminal accountability.

However, recent events may derail that outcome. According to court documents, Young Thug allegedly made public accusations against the Atlanta Police Department, claiming they were responsible for shooting fellow rapper Young Scooter. Furthermore, he reportedly shared a social media post that directly targeted Marissa Viverito, a Fulton County investigator currently testifying in another high-profile gang murder case. This raises critical discussions around the responsibility of public figures to use their influence wisely and the potential consequences of reckless statements.

Although the court had explicitly ordered that witnesses such as Viverito not be shown on television or social media, a user defied that order by posting her image online with the caption: “She doesn’t want to be shown on screen? Well, here she is.” This post was allegedly shared and reposted by Young Thug on April 1, along with the added caption: “Marissa Viverito is the biggest liar in the DA’s office.” Though the post was later deleted, prosecutors note that it went viral, receiving over two million views and triggering a wave of online threats. The viral nature of this incident highlights the rapid spread of information—and misinformation—in the digital age, demonstrating how quickly reputations can be damaged.

The motion further alleges that the home addresses of Viverito and her family members were leaked online, leading to posts that encouraged followers to visit or harass them. One post showed a photo of her mother’s house with the caption, “If the hate is really real then pull up on her mama crib.” Another post, allegedly made later, issued a direct death threat to Fulton County District Attorney Fani Willis, deepening prosecutors’ concerns. This escalation into threatening behavior reveals the dangerous implications that social media can have when used as a tool for intimidation, particularly against those in the legal profession.

In their motion, state attorneys describe the progression from social media exposure to physical threats as an “unprecedented attack on the justice system.” They argue that allowing Young Thug to remain on probation sends the wrong message and may embolden similar behavior from others. The DA’s office emphasized that this isn’t simply a case of free speech but rather one of witness intimidation, online harassment, and potentially inciting violence—all of which are violations of his probation terms. This situation sheds light on the critical need for a reevaluation of how social media actions are perceived within legal frameworks, especially in high-profile cases.

The implications of this case extend beyond Young Thug himself, as it may set a legal precedent regarding the accountability of individuals in the public eye when they misuse social media platforms. As the world becomes increasingly interconnected through technology, the responsibilities of public figures are under scrutiny, reflecting a broader societal demand for accountability and ethical behavior.

Moreover, the response from the public and the media plays a crucial role in shaping the narrative surrounding such cases. The sensationalism often associated with celebrity legal troubles can overshadow the serious nature of the underlying issues, complicating public perceptions of justice and accountability. In the age of rapid news cycles and social media, the line between public opinion and legal proceedings often becomes blurred, raising questions about the integrity of the justice system.

As this case unfolds, observers will be closely monitoring not only the legal ramifications for Young Thug but also the potential changes in legislation regarding online harassment and the protection of witnesses in high-profile cases. This situation may catalyze discussions about reforming laws to better protect individuals in the legal system from threats arising from public discourse, emphasizing the need for a more proactive approach to safeguarding judicial integrity.

This legal development marks another chapter in Young Thug’s ongoing struggle with the justice system. What began as a criminal RICO case may now evolve into a broader conversation around celebrity influence, public accountability, and the impact of social media threats on judicial integrity. As public figures increasingly engage with audiences online, their actions can have real-world consequences, blurring the lines between celebrity culture and legal responsibility.

If the court agrees with the motion, Young Thug could face immediate re-incarceration, serving the remaining years of his sentence behind bars rather than under supervised release. His legal team has yet to publicly respond to the new motion, but the outcome will likely have lasting implications—not only for Jeffery Williams, but also for the way digital conduct is treated in probationary contexts. This case serves as a pivotal example of how the legal system confronts the challenges posed by the digital age, indicating a potential shift in how similar cases may be handled in the future.

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Giggs Declares UK Rap Stronger Than Ever – Stormzy & Central Cee Leading the Charge?

Giggs Declares UK Rap Stronger Than Ever – Stormzy & Central Cee Leading the Charge?

UK rap legend Giggs has spoken, and he’s making a bold claim – UK rap is bigger than ever! The man who helped shape UK drill & gangsta rap recently praised two of the genre’s biggest names, Stormzy & Central Cee, for their massive influence in taking the UK sound global.

Giggs’ Statement on UK Rap’s Growth

Speaking about the evolution of the UK hip-hop scene, Giggs said:

They took UK rap to a new level. It’s not just local anymore—it’s worldwide!

For years, UK rap struggled to gain mainstream recognition outside of Britain, but now, thanks to artists like Stormzy, Central Cee, Dave, Skepta, and others, UK rap is being embraced internationally. With streaming numbers soaring and collaborations with American artists becoming more frequent, UK rappers are proving they belong on the world stage.

Stormzy vs. Central Cee – Who’s Running the Game?

Giggs’ comments naturally sparked a debate: who is really leading UK rap right now?

  • Stormzy – The mainstream giant who has dominated the charts, headlined Glastonbury, and set new records for UK hip-hop. His lyrical depth and impact on the culture make him a heavyweight in the game.
  • Central Cee – The new-gen sensation who has brought UK drill to the global stage. His viral success, international appeal, and collaborations with American rappers have put UK rap in the spotlight.

Other names like Dave, Skepta, and Aitch also come up in discussions about the best in UK hip-hop, proving the scene is stacked with talent.

The Future of UK Rap

With more UK rappers breaking into international markets, collaborating with US artists, and selling out worldwide tours, the future of UK hip-hop looks brighter than ever.

Who do YOU think is leading UK rap right now? Drop your opinion in the comments!

1

Chad Johnson Praises Kendrick Lamar, Says He Deserves Super Bowl Halftime Show

Former NFL star Chad Johnson has voiced his support for Kendrick Lamar headlining the 2025 Super Bowl Halftime Show, saying the rapper’s current relevance makes him the ideal choice. Johnson, known for his bold opinions, took to social media to share his thoughts, stating that while Lil Wayne is a legend, Lamar is more “current and relevant” in today’s music landscape.

Kendrick Lamar is today’s voice according to Johnson. Wayne is a GOAT, but Kendrick speaks to this generation, and that’s what the Super Bowl needs he seems to infer.

This endorsement comes amid a heated debate over whether Lil Wayne or Lamar should perform at the upcoming Super Bowl in New Orleans. With Chad Johnson joining the conversation, Lamar’s candidacy for the event gains more high-profile backing.

Who is Chad Johnson?

Chad “Ochocinco” Johnson is a former NFL wide receiver, best known for his time with the Cincinnati Bengals, where he became one of the league’s most electrifying players. Born on January 9, 1978, Johnson was known for his speed, precision route-running, and larger-than-life personality, both on and off the field. Over his 11-year career, Johnson earned six Pro Bowl selections and became one of the Bengals’ all-time leading receivers.

Beyond his football career, he’s made headlines for his unique touchdown celebrations and bold social media presence. After retirement, Johnson has remained a fixture in sports media, known for his outspoken opinions and charm.

95

Charlamagne Tha God Defends Jay-Z Amid Claims of Blocking Lil Wayne from Super Bowl Halftime Show

Charlamagne Tha God has come to Jay-Z’s defense after speculation surfaced that the rap mogul may have played a role in Lil Wayne not headlining the 2025 Super Bowl Halftime Show in his hometown of New Orleans. During an episode of The Breakfast Club, Charlamagne dismissed the rumors, pointing to Jay-Z’s history of supporting Lil Wayne. He highlighted how Jay-Z once helped Wayne pay off a $14 million tax debt, prevented him from losing his home, and even tried to sign him to Roc Nation.

“Jay has nothing but love for Wayne,” Charlamagne said. “He’s helped him in ways that go beyond music. I don’t see any reason for him to block Wayne from the Super Bowl.”

Speculation arose after fans questioned why Lil Wayne, a New Orleans native and hip-hop icon, wasn’t chosen to headline the prestigious event, with some pointing fingers at Jay-Z, who has been instrumental in booking talent for the halftime show through his partnership with the NFL. Instead, rumors suggest that Kendrick Lamar may take center stage in 2025, reigniting debates about who truly deserves the coveted performance slot.

190

Finesse2tymes Sparks Controversy After Making Baby Mama and Girlfriend Share a Kiss

Rapper Finesse2tymes has ignited a social media storm after a viral video showed him resolving a three-hour argument between his baby mama and girlfriend by making them share a kiss. The drama unfolded on Instagram Live, where the two women exchanged heated words in front of thousands of viewers. As tensions escalated, Finesse2tymes stepped in and, to the surprise of many, asked the women to settle their differences with a kiss with himself—an act that has since gone viral and sparked widespread reactions online.

The Memphis rapper, known for his brash style and unfiltered persona, seemed to use the moment to maintain control over the situation, but many viewers expressed shock and confusion at the unexpected resolution. While some fans found the gesture amusing, others criticized it as inappropriate and manipulative.

Born Ricky Hampton, Finesse2tymes gained prominence in the underground rap scene with gritty tracks that reflect his life experiences, including time spent in prison. After being released from jail in 2022, the rapper quickly rose to mainstream fame with hits like “Back End” and “Black Visa,” collaborating with major artists. His raw, street-inspired lyrics have earned him a loyal fanbase, though his personal life frequently makes headlines due to his controversial relationships and public spats.

This latest incident only adds to Finesse2tymes’ reputation for blending personal drama with his larger-than-life music persona

190
Juvenile

Juvenile Advocates for Lil Wayne to Headline Super Bowl Halftime Show Over Kendrick Lamar

Rapper Juvenile has publicly voiced his support for Lil Wayne to headline the Super Bowl Halftime Show, claiming the New Orleans legend deserves the spotlight over Kendrick Lamar. In a recent interview, Juvenile emphasized Lil Wayne’s impact on the music industry and his enduring influence, suggesting that his legacy should be honored on one of the world’s biggest stages.

“Lil Wayne has been killing it for decades,” Juvenile said. “He’s shaped rap in ways that are still being felt today. No disrespect to Kendrick, but Wayne deserves that halftime show.”

Juvenile and Lil Wayne share a rich history, having been members of the iconic Cash Money Records in the late ’90s and early 2000s. As part of the Hot Boys, alongside B.G. and Turk, the duo helped establish New Orleans as a major force in hip-hop. While their paths diverged after Juvenile left the label in the early 2000s, both rappers have maintained mutual respect for each other’s work. Juvenile has frequently praised Wayne’s artistry and work ethic, cementing the bond they built during their formative years.

The Super Bowl Halftime Show has historically been reserved for the most iconic figures in music, and Juvenile’s comments are sure to spark a conversation among fans about who truly deserves the honor.

80

Beyoncé’s Father Speaks Out on ‘Cowboy Carter’ Snub, Cites Racial Bias

Beyoncé’s father, Mathew Knowles, has expressed frustration over the absence of his daughter’s song Cowboy Carter from major award nominations, despite its impressive performance on the charts. The song currently ranks number one on various platforms, but it has been noticeably overlooked for prestigious awards. In a recent interview, Knowles stated, “It’s a black and white thing,” suggesting that racial bias may be at play in the snub. His comments have ignited a conversation about race and recognition in the music industry, with many echoing his concerns.

Fans have rallied behind Knowles’ statement, pointing out Beyoncé’s consistent ability to dominate charts and shape culture, yet still face systemic obstacles when it comes to award recognition.

About Cowboy Carter

Cowboy Carter is one of Beyoncé’s latest hits, blending elements of country, pop, and R&B in her signature style. The song celebrates empowerment, independence, and resilience, while also paying homage to Black cowboys and their often-overlooked contributions to American history.

With a catchy beat and powerful lyrics, the track quickly soared to the top of the charts, further cementing Beyoncé’s influence across multiple genres.

Despite its commercial success, the lack of award nominations has sparked controversy, prompting questions about the role of racial dynamics in industry accolades.

What do you think? Kindly let us know in the comments section.

189

Sexxy Red Twerks with Kodak Black in Viral Video, Sparks Controversy

Sexxy Red and Kodak Black were at the center of a social media storm after a video surfaced showing the two stars twerking together. In the footage, which quickly went viral, Kodak Black initially pulled away, but Sexxy Red energetically pulled him back in, continuing their dance. The video, posted on Instagram by @thespotlight.com_official, has garnered significant attention, with mixed reactions from fans. One user, @blessedjay, commented, “Ewww, this is so dusty,” reflecting some of the critical feedback surrounding the footage. The playful yet provocative interaction between the artists has become a hot topic online, further fueling their ongoing media presence.

Sexxy Red, born Janell Williams on April 28, 1998, in St. Louis, Missouri, is a rising star in the hip-hop and rap scene. Known for her bold persona and catchy tracks, she gained attention with hits like “Pound Town” and “Hood Bitch.” With a distinctive voice and unapologetic style, Sexxy Red is making waves in the music industry, blending raw lyrics with infectious beats. Her growing popularity is marked by high-energy performances and collaborations with prominent artists, solidifying her place as a notable figure in contemporary rap.

What do you think? kindly let us in the comments section.

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